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NAD CI8-150 DSP 8-Channel Custom Installation Power Amplifier delivers a conservative 8 x 150 watts per channel at 8 ohms and is bridgeable to 4 x 280 watts per channel at 8 ohms. It delivers a stable and efficient power with high current capability, all in a slim 1U rack space. Designed to deal with the demands of the CI world, it was made to handle long cable runs and difficult speaker loads.
| Brand | NAD |
|---|---|
| Color | Black |
| Power Amplifier Speaker Channels | 8 Channel |
| Frequency Response | 20 Hz - 20 kHz |
| Watts RMS per Channel (8 Ω) | 150 Watts |
| Bridge Mode Power Output | 4 × 280 Watts |
| Input Sensitivity | 1450 mV |
| Signal-to-Noise Ratio | >90 dB |
| Total Harmonic Distortion (THD) | <0.02 % |
| Coaxial Digital Inputs | 2 |
| Optical Digital Inputs | 2 |
| 12V Trigger | Yes |
| IR Input/Output | Yes |
| Warranty | Australian Manufacturer Warranty |
| Product Dimension (H×W×D) | 90 x 483 x 435 mm |
|---|---|
| Product Weight | 17.6 Kg |
A 12V trigger is a control mechanism used in audio/video systems and home automation setups. It involves sending a 12-volt electrical signal (often low voltage) to trigger specific actions in compatible devices. These triggers are commonly used to coordinate the power state and actions of various components in a multimedia or home theatre system. Here's how it generally works:
Control Device (Transmitter): This device, such as an AV receiver, preamplifier, or home automation controller, generates a 12V trigger output signal.
Trigger Cable: A specialised cable with a 3.5mm mono jack on each end is used to carry the 12V trigger signal. One end is connected to the control device's trigger output, and the other end is connected to the trigger input on the target device.
Target Device (Receiver): This device could be a power amplifier, motorised projector screen, motorised curtains, cooling system, or any other equipment that needs to be controlled based on trigger signals.
When the control device sends out the 12V trigger signal, the target device responds accordingly. Common scenarios include:
Power On: When the control device powers on, it sends a 12V trigger signal to the target device, causing it to turn on as well. This is especially useful for amplifiers, subwoofers, or other components that should be active when the system is in use.
Power Off: Conversely, when the control device is powered off, it can send a 12V trigger signal to the target device, prompting it to power down. This ensures that all components shut down in a synchronised manner.
Other Actions: 12V triggers can also be used for actions beyond powering on/off, such as activating ventilation systems, adjusting lighting, or even triggering motorised mechanisms like projector lifts.
This automation simplifies the user experience and ensures that devices work harmoniously without the need for manual intervention. However, it's essential to ensure compatibility between devices, as not all components support 12V trigger functionality. Some systems also offer multiple trigger outputs or inputs, allowing for more complex setups where a single control signal can manage several devices simultaneously.
Coaxial digital inputs are a type of connection found on audio and video equipment, such as audio receivers, soundbars, and home theater systems. These inputs are designed to carry digital audio signals using a coaxial cable. Coaxial digital inputs are commonly used for connecting devices that transmit digital audio, such as CD players, DVD players, Blu-ray players, gaming consoles, and some set-top boxes.
Here's how coaxial digital inputs work and some key points to know:
Digital Audio Transmission: Coaxial digital inputs transmit audio in a digital format, typically using a standard known as S/PDIF (Sony/Philips Digital Interface). This means that the audio signal remains in a digital state without being converted to analog until it reaches the destination device.
Cable Type: Coaxial digital inputs use a specific type of coaxial cable with RCA connectors. The cable has a central conductor surrounded by a layer of insulation and a metal shield. This design helps minimize electromagnetic interference and maintains the integrity of the digital signal.
Audio Quality: Coaxial digital inputs can carry high-quality digital audio signals, including formats like PCM (Pulse Code Modulation) and Dolby Digital.
Compatibility: Many audio and video devices support coaxial digital inputs and outputs. However, it's important to ensure that both the source device and the destination device have coaxial digital connectors.
Use Cases: Coaxial digital inputs are commonly used for connecting devices that do not have HDMI connections, especially older audio and video equipment. They can be used for sending audio from devices like DVD players, CD players, and gaming consoles to an audio receiver or sound system.
Cable Length: Like any cable connection, the length of the coaxial cable can impact signal quality. It's advisable to use high-quality cables and keep cable lengths as short as possible to minimize signal loss.
When connecting devices with coaxial digital outputs to devices with coaxial digital inputs, you will need a coaxial digital cable with appropriate connectors on each end.
It's worth noting that modern audio and video equipment often feature HDMI connections, which can carry both video and audio signals in a single cable. However, coaxial digital inputs remain relevant, especially for connecting legacy devices or for scenarios where HDMI is not available or practical.
Frequency response is a measure of how well an audio device (such as a speaker, headphone, microphone, or amplifier) reproduces sound across a range of frequencies. It is a crucial factor in determining the overall audio quality and the ability of a device to accurately reproduce different pitches and tones in audio content.
Frequency response is usually represented graphically, with frequency (measured in Hertz, or Hz) on the x-axis and amplitude (usually measured in decibels, or dB) on the y-axis. The graph, known as a frequency response curve, shows how the device responds to different frequencies. The flatter the curve, the more neutral and accurate the frequency response.
Here are some key points to understand about frequency response:
Flat Frequency Response: An ideal audio device would have a completely flat frequency response curve, meaning it reproduces all frequencies equally accurately. In practical terms, achieving a perfectly flat response is challenging, but high-quality audio equipment aims to keep the response as flat and consistent as possible.
Bass and Treble Response: The frequency response curve helps visualise how well a device reproduces both low-frequency (bass) and high-frequency (treble) sounds. The bass and treble regions of the curve provide insights into the device's ability to handle deep lows and crisp highs.
Roll-Off and Extremes: A device's frequency response curve might show a gradual roll-off at very low or very high frequencies. This is natural and often a design choice to prevent distortion or strain at extreme ends of the frequency spectrum.
Measurement Standards: Frequency response measurements are typically conducted under controlled laboratory conditions using specialised equipment. It's important to consider whether the measurements were taken in an anechoic chamber (where reflections are minimised) or in a real-world environment, as this can affect the results.
Human Perception: While a flat frequency response is desirable, human perception of sound can vary. Some listeners might prefer a slight boost in bass or treble frequencies, known as "voicing," for a more pleasing or exciting sound.
Room Acoustics: It's important to note that the frequency response of an audio device can be influenced by the acoustics of the room in which it is placed. Room reflections, resonances, and other factors can affect how sound is perceived.
Comparing Devices: When comparing the frequency response of different audio devices, it's important to consider the context, the intended use, and your personal preferences. A device with a flat response might not always be the best choice if you're looking for a specific sound signature.
Frequency response is just one aspect of audio quality, and a device's performance should be evaluated in conjunction with other factors such as distortion, sensitivity, and soundstage. When choosing audio equipment, it's a good idea to listen to demonstrations whenever possible and read reviews from reputable sources.
Input sensitivity, also known as sensitivity rating, is a specification used to describe how much input signal is required to produce a specified level of output from an audio device, such as an amplifier or a speaker. It is an important parameter to consider when matching different audio components to ensure proper signal levels and avoid issues like distortion or insufficient volume.
Here's what you need to know about input sensitivity:
Definition: Input sensitivity is typically expressed in decibels (dB) and indicates the level of input signal (usually voltage) required to produce a specific output level (often expressed in dB as well). It represents the efficiency of the device in converting the input signal into an amplified output signal.
Matching Components: Matching the input sensitivity of different audio components is important to ensure that the signals are compatible and that the system operates optimally. If the input sensitivity of an amplifier is much higher than that of the source device, it may result in over-amplification and distortion. If the sensitivity is too low, you might not get sufficient volume.
Amplifiers: In amplifiers, the input sensitivity is often specified as the level of input signal required to achieve a specific output power (e.g., 1 watt or full power). A higher sensitivity rating means the amplifier requires less input signal to reach a certain output level.
Sources: For source devices like CD players or media players, input sensitivity indicates the signal level they can provide to the next component in the chain. It helps you gauge whether the source can drive the amplifier or other devices effectively.
Speaker Matching: Input sensitivity is also relevant when matching speakers to amplifiers. If an amplifier's sensitivity is significantly different from a speaker's sensitivity, it can lead to imbalanced sound levels and affect the overall sound quality.
Impedance Consideration: Input sensitivity can interact with input impedance. Higher input impedance requires less input signal to achieve a specific output, and vice versa.
Volume Control: Input sensitivity can impact the setting of the volume control on your audio equipment. If you have mismatched sensitivities, you may need to adjust the volume levels accordingly.
Industry Standards: Manufacturers may specify input sensitivity differently, so it's important to understand the measurement methods and standards used for comparison.
When setting up an audio system, it's important to consider input sensitivity along with other factors such as impedance matching, output power, and overall system requirements. Properly matching input sensitivities helps ensure efficient signal flow, optimal performance, and a balanced and accurate audio experience.
Optical digital inputs, often referred to as "Toslink" or "S/PDIF" inputs, are a type of audio input commonly found on audio equipment such as AV receivers, soundbars, home theatre systems, and digital-to-analog converters (DACs). These inputs allow you to connect optical audio sources, such as TVs, gaming consoles, Blu-ray players, and CD players, to your audio device for high-quality digital audio transmission.
Key points about optical digital inputs:
Optical Cable: Optical digital inputs use a specific type of cable known as an optical or Toslink cable. This cable transmits audio signals using light pulses, making it immune to electromagnetic interference and providing a high-quality digital audio connection.
Audio Transmission: Optical digital inputs transmit audio signals in a digital format, ensuring a clean and accurate audio transfer without the potential for analog interference.
Audio Formats: Optical inputs can support various digital audio formats, including stereo PCM (Pulse Code Modulation), Dolby Digital, DTS, and more, depending on the capabilities of the connected devices.
Home Theatre Systems: Optical inputs are commonly used in home theatre setups to connect sources like TVs, Blu-ray players, and gaming consoles to AV receivers. This allows for high-quality audio playback through the home theatre speakers.
Soundbars and Speakers: Soundbars often feature optical inputs, allowing you to connect your TV or other audio sources directly to the soundbar for improved audio quality. Some powered speakers and audio systems also include optical inputs.
DACs and Audio Interfaces: Digital-to-analog converters (DACs) and audio interfaces often have optical inputs to convert digital audio signals into analog audio for playback through headphones or speakers.
Simple Setup: Optical connections are easy to set up. You plug one end of the optical cable into the optical output of your source device and the other end into the optical input of your audio device.
Dolby Digital and DTS: Optical connections are commonly used for transmitting Dolby Digital and DTS surround sound formats, making them ideal for home theatre applications.
Limitations: While optical connections provide high-quality audio transmission, they have some limitations compared to HDMI connections. For instance, they may not support certain advanced audio formats like Dolby Atmos.
Device Compatibility: When using optical digital inputs, it's important to ensure that both the source device (e.g., TV, Blu-ray player) and the destination device (e.g., AV receiver, soundbar) support the same audio formats and capabilities.
Signal Loss: Very long optical cables might experience signal loss due to the attenuation of the light pulses over distance.
Optical digital inputs offer a convenient and reliable way to connect your audio sources to compatible audio devices for high-quality digital audio transmission. They are particularly popular in home theatre setups and with devices that lack HDMI or other digital audio connections.
Signal-to-Noise Ratio (SNR) is a measure used in various fields, including electronics, telecommunications, audio engineering, and signal processing, to quantify the quality of a signal relative to the presence of unwanted noise. SNR compares the level of the desired signal to the level of background noise or interference, providing an indication of how clearly the signal can be distinguished from the noise. It is often expressed in decibels (dB).
In general, a higher SNR indicates a better quality signal, as the desired signal is stronger in relation to the background noise.
Significance of SNR:
Audio Engineering: In audio systems, SNR indicates how much the desired audio signal stands out from the background noise introduced by electronic components, cables, and environmental factors. A high SNR is crucial for clear and high-fidelity audio reproduction.
Telecommunications: In telecommunications, SNR is a key factor in determining the quality of voice or data transmissions over networks. A higher SNR in a communication channel reduces the likelihood of data errors or signal degradation.
Image Processing: In imaging and photography, SNR relates to the clarity and detail of an image. A higher SNR in image sensors leads to less noise in photographs, resulting in sharper and more detailed images.
Wireless Communication: In wireless communication systems, SNR affects the range, reliability, and data throughput of wireless connections. A higher SNR allows for better signal reception and improved communication quality.
Research and Scientific Measurement: In scientific experiments and measurements, SNR is used to assess the accuracy and reliability of collected data. Researchers aim to maximise the SNR to obtain meaningful results.
Digital Signal Processing: In signal processing applications, SNR is used to evaluate the effectiveness of noise reduction techniques and algorithms that enhance the quality of signals.
It's important to note that a very high SNR may not always be achievable due to practical limitations. Balancing the trade-off between signal strength and noise reduction is essential in designing and optimising systems for various applications.
Instyle Hi Fi strives to make every purchase a happy one.
Please read our Refund, Return Warranty Policy before making a purchase from Instyle Hi Fi, our Outlined are Our policy on refunds, returns and repairs and your rights under the Australian Consumer Law.
Always inspect any products that we have delivered to you or that you picked up from the Instyle Hi Fi store, to make sure you are completely satisfied with the condition of the products, including that the products are of merchantable quality.
If you have any questions about this policy, please contact our staff on 1300 410 499 or email enquiry@instylehifi.com.au.
Please choose carefully as refunds for change of mind would only be accepted with a restocking fee subject to approval. We recommend you carefully choose any products before adding them to your cart and continuing with your order. The restocking fee is 25% if approved.
If any products are delivered damaged, please contact our Customer service Staff as soon as possible. Instyle Hi Fi will organise to have your products returned to Instyle Hi Fi and to arrange for a replacement of your products fast. Damaged products need to be returned in the same condition received by you with all original packaging, accessories and manuals.
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Instyle Hi Fi will refund all delivery charges in the event an item has to be returned due to a fault or damage and no replacement items can be found. Delivery refund will only be approved within 14 days of purchase and all original packaging, accessories and manuals are included.
Refer to Consumer Guarantee laws for more information.
Any Refunds will be made by Instyle Hi Fi using the same method of payment used to make your purchase. Refunds will normally be processed within five (5) days.
Instyle Hi Fi reserve the right to refund and cancel any order when the below occurs.
Before returning any goods please contact our service team for approval and return merchandise number 1300 410 499
You may also contact Instyle Hi Fi on 1300 410 499 or visit the store where the items were collected. A Instyle Hi Fi team member will help you with any return or repair. This will include inspecting the products, organising for the products to be repaired, or offering you a replacement.
Products need to be returned within a reasonable time period. This timeframe may vary from product to product and may depend on the type of product you purchased and the price you paid.
If any goods cannot be easily returned to the Instyle Hi Fi store, due to where you are located please contact our service staff for help with logistics 1300 410 499
Products returned under warranty will be assessed and/or repaired within a reasonable time period. You will be provided with a repair time after the item is assessed. This time may vary due to reasons beyond our or the manufacturer's control, such as parts availability and incorrect fault advice given.
You may be required to pay labour, assessment or freight costs, such as where goods are assessed to have been damaged by misuse or accident, or where the goods are assessed not to be faulty. We will provide you with a cost if this case arrises.
If any electrical goods that you returned may lose settings or user saved preferences during the resetting and rebooting phases in a repair sequence.
Please note that if you choose to cancel an online order before it has been dispatched and a request for refund is approved, a 1.4% fee will be applied to your refund amount. This fee covers charges that we are unable to recover from the Visa and Mastercard networks.
Thank you for your understanding.
Purchasing from Instyle Hi Fi is an acceptance of the above policies.
If you have any questions relating to your Order, please contact us on 1300 410 499 or email customer support on enquiry@instylehifi.com.au.